Thursday, January 10, 2013

Lawn of the Dead



 I don’t think the adage “You Get What You Pay For” has ever been more relevant than it is in the motel room I’m in tonight.  Seriously, this experience could be a blog entry by itself.

I had an extremely satisfying day on the Odyssey today (which we’ll get to in a moment), and thinking that absolutely nothing could be worse than last night’s hotel room which had the pube on the soap, I was a little lax in deciding where to stay tonight.   I did call a few chain hotels in the area (Essex County, outside of West Orange), but they seemed ridiculously overpriced.  So, in a moment of brain damage, I would up at the Pine Lodge Motor Inn on Route 46.

I knew I was in for a quality experience when the manager/owner/desk dude handed me this:



Still, it was a well-lit place and there didn’t seem to be any shady people lurking in the parking lot, so I figured it wasn’t dangerous or anything.

The room itself is very small, but that’s fine—I don’t need acres of room to brush my teeth and sleep.  After being assaulted by a combination of smells resulting from what I believe to be feet, mold, and bleach, I saw this:



However, this was overshadowed by the temperature, which rivaled that of the surface of Mercury.  I looked around for the heater/cooler/climate control thingie, and discovered that I was unable to reach the thermostat dials because they were too far researched under the TV…uh…nook:


 This is fine, though, because it doesn’t even turn on.  Well, okay, I’d crack a window.  This is when I discovered that the windows weren’t only painted shut, they were painted over, probably to hide the cracks:


 I decided to call the front desk and ask how I could turn the temperature down, since my skin was starting to boil off.  The front panel had been taken off the phone, and you can clearly see its innards:


However, the innards are apparently only for show, since there is no dial tone.  I pressed some buttons—nothing.  Clearly, it’s only there for stage dressing.

Of course I didn’t expect the TV to work, and I wasn’t disappointed.  It turns on (with a remote that’s held together with Scotch tape), but there are only two channels, which are both a sickly shade of cyan, and there’s no sound at all.

The floor is disturbingly lumpy—like there’s something buried underneath it.  There’s no clock, fridge, microwave, hair dryer, iron, or  hangers.  There’s not even a Gideon Bible, for crying out loud.

There’s only one light in the entire room, and that’s a long fluorescent bar over the mirror, bathing the room in an unearthly and unnatural glow.  There’s nowhere in the room to see the TV without the glare of the bulb reflected in it.

I set my bags down on the dresser and chair (no desk—I’m sitting on the bed typing this), and turned back the covers.  The sheets have blood on them.  Do you want to see?  Of course you do.  You’re as big a glutton for punishment as I am:


The sheets stink like Clorox and chlorine, so I imagine they’re sanitary (maybe), but I’m still not enthused about getting undressed and sleeping in them.  I’m especially wary because the batteries for the smoke alarm don’t seem to have been changed for seven years:



Not that this matters, because if there’s a fire I can’t call for help from the broken phone and I can’t get out of the painted-shut window.  I suppose I could throw the non-working TV through the window, since they obviously know how crappy it is and didn’t even bother bolting it down.

But enough about that.  Let’s get to today’s weirdness!

I’m extremely excited because I got a lot of bonus weirdness today. Things started off a bit slowly this morning when I went to visit the Cry Baby Bridge on Cooper Road in Middletown.  The story here is relatively simply—you’re supposedly able to hear a baby crying on the bridge, and for some reason if you turn off your car, it won’t turn on again.  The legend is that years ago (because that’s when everything cool happens), a nun was forced to throw her illegitimate baby (supposedly fathered by a priest) off the bridge.

Once again, Ed had to wave me in while looking at a satellite view—everything I was seeing from the ground looked the same.  I feel bad about bothering him today because he’s deathly ill with some mucous-related sickness, but he takes his position as Flight Director very seriously, and was able to navigate me right to the bridge.  It isn’t much of a bridge (it’s actually just a guard rail), but it does have a lovely view on either side:
  
I stood on the bridge, silently, waiting.

ED:  Do you hear anything?

ME:  No.

ED:  “Wah.  Wah.  Wah.”

ME:  Oh, stop it.

Just as I was about to proclaim Cry Baby Bridge a failure, I turned around and saw…this!


It looks just like a person!  And I never would have been able to see it from the first angle I was coming from, so it turned out to be a good thing I needed Ed’s eagle-eye.  I was relieved not to have to declare Cry Baby Bridge a total wash, took some more pictures, and headed off.

There are six cemeteries on my itinerary (including the pet cemetery), and I managed to knock out three of them today.  First up was the grave of Ray Tse, laid to rest in the Linden Park Cemetery, who allegedly has a life-sized Mercedes Benz as his tombstone.  The story behind it is actually kind of tragic.  Ray, who was only 15 when he died in 1981, had dreamed his entire short life of owning a Mercedes, and when he sadly passed away before he was even old enough to have a driver’s license, his older brother commissioned a granite replica of Ray’s dream car.

I figured something like that wouldn’t be too hard to find, and I was right.  Here it is, prominently displayed in the Asian section of the cemetery:



Ray’s actual remains are in the family mausoleum, to the left of the car:


 The car weighs 36 tons, and was carved out of a single 66-ton block of granite in Vermont.  It’s accurate down to the last detail, except for the side-view mirrors and hood ornament.  You can read more about it here.

Also in this cemetery is a woman who apparently really liked the Washington Monument, as well as a man who insisted on a block-long monument and life-sized statue of the Virgin Mary:




 Pressing on!  I charted  a course for the second cemetery of the day, which is supposedly the final resting place of a man named James Bechtold, who was apparently so enamored with the Three Stooges that he requested they be put on his tombstone.   The cemetery is located in Hillside, but is so far off the beaten path that I passed it the first time and had to turn around at a train trestle.  Once again, this proved to be a fruitful diversion because as I was backing out, I saw this:


  
Look at that thing!  Look at the size of it compared to the house!  Why?   Why on earth would anyone want that?  The only way that could possibly be more awesome is if it had a mailbox in its butt.

And, conveniently, only two blocks down from Rhino Woman was the cemetery, and right at the front gate is Mr. Bechtold’s grave.  The stone is a little smaller than I thought it would be, but wow, is it cool:



I love how the Stooges seem to be erupting out of the gravestone.  Here’s a closeup of their heads:



By now I was feeling really cocky.   I set out to Evergreen Cemetery to find the Shrine of Singin’ Sam Stevens.  Singin’ Sam (and his wife Mary) was a lifetime residents of Hillside and amateur musician, and evidently recorded several songs that were never very big hits. 

While meandering around the cemetery looking for Singin’ Sam, I came across this grave as well:



 At first glance, I thought it just said “Big and Lovable Rose,” which made me wonder how Rose felt about being called corpulent after she had clearly shuffled off her mortal coil.  When I read it a second time and determined that it was “Big G and Lovable Rose” it made a bit more sense (his name appears to have been George), but it’s still sort of an overwhelming monument.

I managed to find Singin’ Sam with only fifteen minutes until closing, and actually had to shoo away an old man who was sitting on a nearby bench in order to take a picture.  On the left is a replica of a vinyl record which lists the songs he recorded, and to the left is a rendering of his favorite guitar:



Tomorrow, I’m headed for Bergen and Passaic Counties, which are (according to The Guidebook) just chock-full of weirdness…provided I don’t Legionnaire’s Disease, or a staph infection or Ebola from this motel room.  Fingers crossed!

Odyssey out.









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